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Ifemelu and Obinze are young and in love when they depart military-ruled Nigeria for the West. Beautiful, self-assured Ifemelu heads for America, where despite her academic success she is forced to grapple with what it means to be black for the first time. Quiet, thoughtful Obinze had hoped to join her, but with post—9/11 America closed to him, he instead plunges into a danger- ous, undocumented life in London. At once powerful and tender, Americanah is a remarkable novel of race, love, and identity by the award-winning writer Chimamanda Ngozi Adichte.
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Toni Morrison–author of Song of Solomon and Tar Baby–is a writer of remarkable powers: her novels, brilliantly acclaimed for their passion, their dazzling language and their lyric and emotional force, combine the unassailable truths of experience and emotion with the vision of legend and imagination. It is the story–set in post-Civil War Ohio–of Sethe, an escaped slave who has risked death in order to wrench herself from a living death; who has lost a husband and buried a child; who has borne the unthinkable and not gone mad: a woman of “iron eyes and backbone to match.” Sethe lives in a small house on the edge of town with her daughter, Denver, her mother-in-law, Baby Suggs, and a disturbing, mesmerizing intruder who calls herself Beloved. Sethe works at “beating back the past,” but it is alive in all of them. It keeps Denver fearful of straying from the house. It fuels the sadness that has settled into Baby Suggs’ “desolated center where the self that was no self made its home.” And to Sethe, the past makes itself heard and felt incessantly: in memories that both haunt and soothe her…in the arrival of Paul D (“There was something blessed in his manner. Women saw him and wanted to weep”), one of her fellow slaves on the farm where she had once been kept…in the vivid and painfully cathartic stories she and Paul D tell each other of their years in captivity, of their glimpses of freedom…and, most powerfully, in the apparition of Beloved, whose eyes are expressionless at their deepest point, whose doomed childhood belongs to the hideous logic of slavery and who, as daughter, sister and seductress, has now come from the “place over there” to claim retribution for what she lost and for what was taken from her. Sethe’s struggle to keep Beloved from gaining full possession of her present–and to throw off the long, dark legacy of her past–is at the center of this profoundly affecting and startling novel. But its intensity and resonance of feeling, and the boldness of its narrative, lift it beyond its particulars so that it speaks to our experience as an entire nation with a past of both abominable and ennobling circumstance. In Beloved, Toni Morrison has given us a great American novel. Toni Morrison was awarded the 1988 Pulitzer Prize in Literature for Beloved.

In nine stories, ordinary encounters expose the tensions running through families and communities in the changing South. A bus ride, a college graduate’s homecoming, and a farm widow’s waiting room become occasions for pride, conflict, and revelation. Published after O’Connor’s death, this collection brings together some of her most incisive fiction.

The novel is set somewhere in the north of England. Jane’s childhood at Gateshead Hall, where she is emotionally and physically abused by her aunt and cousins; her education at Lowood School, where she acquires friends and role models but also suffers privations and oppression; her time as the governess of Thornfield Hall, where she falls in love with her Byronic employer, Edward Rochester; her time with the Rivers family, during which her earnest but cold clergyman cousin, St John Rivers, proposes to her. Will she or will she not marry him?

Dana, a modern black woman, is celebrating her twenty-sixth birthday with her new husband when she is snatched abruptly from her home in California and transported to the antebellum South. Rufus, the white son of a plantation owner, is drowning, and Dana has been summoned to save him. Dana is drawn back repeatedly through time to the slave quarters, and each time the stay grows longer, more arduous, and more dangerous until it is uncertain whether or not Dana’s life will end, long before it has a chance to begin.

In the imagined town of Macondo, generations of the Buendía family experience love, ambition, conflict, and loss. The ordinary and the marvelous share the same streets as the family’s private history becomes inseparable from the wider world. Gabriel García Márquez’s sweeping novel follows the patterns that repeat across generations, creating a richly layered portrait of memory, solitude, and the stories families tell about themselves.

When Elizabeth Bennet first meets eligible bachelor Fitzwilliam Darcy, she thinks him arrogant and conceited, while he struggles to remain indifferent to her good looks and lively mind. When she later discovers that Darcy has involved himself in the troubled relationship between his friend Bingley and her beloved sister Jane, she is determined to dislike him more than ever. In the sparkling comedy of manners that follows, Jane Austen shows the folly of judging by first impressions and superbly evokes the friendships, gossip and snobberies of provincial middle-class life.
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“I believe that the reader will discover here the essential nature of one of the strangest and most awful chapters in human history,” Arthur Miller wrote of his classic play about the witch-hunts and trials in seventeenth-century Salem, Massachusetts. Based on historical people and real events, Miller’s drama is a searing portrait of a community engulfed by hysteria. In the rigid theocracy of Salem, rumors that women are practicing witchcraft galvanize the town’s most basic fears and suspicions; and when a young girl accuses Elizabeth Proctor of being a witch, self-righteous church leaders and townspeople insist that Elizabeth be brought to trial. The ruthlessness of the prosecutors and the eagerness of neighbor to testify against neighbor brilliantly illuminates the destructive power of socially sanctioned violence.

Written in 1953, The Crucible is a mirror Miller uses to reflect the anti-communist hysteria inspired by Senator Joseph McCarthy’s “witch-hunts” in the United States. Within the text itself, Miller contemplates the parallels, writing, “Political opposition… is given an inhumane overlay, which then justifies the abrogation of all normally applied customs of civilized behavior. A political policy is equated with moral right, and opposition to it with diabolical malevolence.”
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In the summer of 1956, Stevens, the ageing butler of Darlington Hall, embarks on a leisurely holiday that will take him deep into the countryside and into his past . . .A contemporary classic, The Remains of the Day is Kazuo Ishiguro’s beautiful and haunting evocation of life between the wars in a Great English House, of lost causes and lost love.

Raised by a self-appointed prophet in rural Tennessee, Francis Marion Tarwater tries to resist the religious calling imposed on him. After his great-uncle’s death, he moves between a schoolteacher’s rational world and the fierce demands of belief. O’Connor’s second novel follows a struggle over freedom, responsibility, and grace through dark humor and startling violence.

Hazel Motes arrives in a Southern city determined to escape the faith that shaped him. His Church Without Christ draws him into a world of street preachers, false prophets, and desperate believers. Flannery O’Connor’s first novel brings dark comedy and unsettling violence to questions of belief, freedom, and grace.